My report from O’Hare: the would-be kitty assassin

Hi, Chicago! I am waving to you from Terminal 2 at O’Hare. Good to see you.

Now, random Internet stuff I have found while browsing from this fine city. The headline of the day:

FBI: Man tried to hire assassin, pin murder on cat.

(AP)  EAST ST. LOUIS, Ill. – Federal investigators helped by a conscientious paroled killer say they foiled a plot to abduct, extort and electrocute a wealthy man in a scheme they say borrowed elements from a television show and sought to blame the killing on the planned victim’s cat.

Now to board my next flight. It’s been fun, Windy City — thanks! Next time I’ll try to stay longer than two hours.

This week: Sundance

Tomorrow I’m heading to the Sundance Film Festival. I will be packing sunglasses and attitude. Anything else you think I should take?

Note: Requests to capture Robert Redford/Peter Sarsgaard/Rashida Jones will be rejected. Friends and family already have dibs.

On film, people. Capture them on film. Sheesh. What did you think I meant? Just because I have a T-shirt that says, “Everything I need to know, I learned from the people trapped in my basement,” is no reason to take everything I say literally.

(PS – Mom, I’ve poked air holes in the crate, so your gift will arrive in good shape.)

Q&A with Girls Just Reading

The avid readers at Girls Just Reading have posted a Q&A they did with me. Hop on over there and check it out.

Author Interview: Meg Gardiner

GJR: It always takes us by surprise that you can (and do) kill off your characters so easily. We have to ask, does it hurt you as much as it hurts us?

MG: It’s not easy at all. It’s terrible. But I write thrillers. This means the characters will find themselves in danger, facing life and death situations. And if they always survive, where’s the suspense? When I first started writing, I protected my characters, because I liked them. Though I put them in danger, I knew in the back of my mind that they’d be okay. I never truly put them at risk, and that meant that I never truly took a story as far as it could go. I stunted its possibilities from the beginning.

Read the rest.

Where in the world: Must try harder

All right, all right. The last photo — Chinatown, San Francisco — was too easy. Have a go at this one.

Where am I? Please be as specific as possible.

UPDATE: Answer after the jump.

Continue reading

Bloggy updates

Don’t freak out. Because I know you will. You’ll take the slight changes in the appearance of the blog as clear and frightening sign that the 2012 Apocalypse is imminent. It’s like going into the supermarket and discovering that the Doritos have been moved to Aisle 5. What’s happening? Oh, God, the Mayans were right…

Or not.

In any case, I’ve toyed with the header and sidebar, to mess with your heads and because I like to keep up to date with kids these days. Those wacky kids, always Facemiming and Tweetsquawking and such. I’ve added a Twitter feed, so you can glimpse what I’m up to in 140 characters. Yes, social media is coalescing into a huge hive mind. Its various forms are banding together into a seamless and unstoppable whole. Resistance is futile.

Wow, I need to put down the William Gibson and turn off Star Trek. And probably drink less coffee.

How’s your Monday?

Where in the world?

Here’s another photo, taken in a place that features in at least one of my novels. What’s your guess?

And yes, I was in search of coffee. Desperately.

UPDATE: Okay, this one was easy. It’s Chinatown, San Francisco.

About this week’s literary dustup

There’s been some online verbal boxing between readers, authors and agents in the last week or so. Publishers Weekly reports.

Should Authors and Agents Weigh In on Citizen Reviews?

Is it time for a Miss Manners intervention? These days it’s tricky to keep up with the name-calling surrounding citizen reviews on Goodreads, Amazon, and Twitter.

In other words, this isn’t powerhouse publishers sniping at reviewers from Publishers Weekly or the New York Times. It’s authors venting at readers who failed to rave about their books.

In the biggest recent dustup, over a one-star January 13 Goodreads review of Kiera Cass’s The Selection – a YA novel about a lottery that allowed 35 teenage girls to compete, a la The Bachelor, for a handsome prince – the war of words got heated enough that one commenter referred to a citizen reviewer as “that bitch.”

My thoughts:

1. Writers: Rise above. Unless a malicious troll is deliberately trying to destroy a book or its author with diatribes and libel, leave it alone. Resist the urge to slash back. No matter how infuriating it can be to read a lousy review, don’t yell and call names. To the outside world, it comes off like a forty-something engaging in a screaming match with a six-year-old. Everybody who sees it thinks: Who’s the adult here?

Clue: Be the adult.

2. In the annals of reviewer-bashing, this dustup is small potatoes. For raging, out-of-control writer vitriol, nobody can top Aaron Sorkin, who not only waded into the comment forums on Television Without Pity but then wrote an entire episode of The West Wing that ripped apart online discussion groups. (Search for the phrase “sitting in a muu-muu and smoking Parliament Lights.”)

3. Remember what an actual, serious problem looks like: Salman Rushdie has pulled out of the Jaipur Literary Festival because intelligence sources warned him that underworld figures were sending assassins to kill him.

Awful Library Books: the best of 2011

Don’t wait, just head over to Awful Library Books and enjoy.

A Year of Awful: Best of 2011.

The exclamation mark abuse chart

Just for y’all.

(Full size image here.)

Thanks for the link to this chart, Grammar Monkeys.

Where in the world am I?

Name the location. One of my novels is partially set here.

Strength to Love

“Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction … The chain reaction of evil — hate begetting hate, wars producing more wars — must be broken, or we shall be plunged into the dark abyss of annihilation.”

– Dr. Martin Luther King, Jr. Strength To Love, 1963.

Today: Litopia After Dark

Today I’m going to be on Radio Litopia, talking about crime fiction with host Peter Cox and fellow writer Hilary Norman.

Litopia After Dark:  8 p.m. London / 3 p.m. Eastern / Noon Pacific.

If you listen live, you can chat with other listeners in the chat room. Click here to join the chat room.

The show will also be available as a podcast. Let me know if you hear it.

Apostrophes lost, books banned, fiction rules

Some book- and writing-related stories for the weekend:

“Waterstone’s are now Waterstones. They’ve decided to drop the apostrophe.”

My position is that the apostrophe is on the way out. It’s an inconsistent item anyway; it was invented by printers – not grammarians or linguists – and like a lot of other ‘rules’ of punctuation is modified by use. No bad thing.

Read the rest: The Politics (and lies) of the Apostrophe.

My opinion: I suspect he’s right — the apostrophe is doomed. And you know what? Things will be all right.

Shakespeare banned in Tucson.

As part of the state-mandated termination of its ethnic studies  program, the Tucson Unified School District released an initial list of books to be banned from its schools today.  According to district spokeperson Cara Rene, the books “will be cleared from all classrooms, boxed up and sent to the Textbook Depository for storage.”

“[A] notable text removed from Tucson’s classrooms is Shakespeare’s play ‘The Tempest.’ In a meeting this week, administrators informed Mexican-American studies teachers to stay away from any units where ‘race, ethnicity and oppression are central themes,’ including the teaching of Shakespeare’s classic in Mexican-American literature courses.”

I presume that all chapters mentioning the Civil War will now be torn out of history textbooks as well.

“In a school district founded by a Mexican-American in which more than 60 percent of the students come from Mexican-American backgrounds, the administration also removed every textbook dealing with Mexican-American history.”

Because nothing promotes literacy and good citizenship like government-enforced ignorance.

The Business Case for Reading Novels.

I’ve been a devoted, even fanatical reader of fiction my whole life, but sometimes I feel like I’m wasting time if I spend an evening immersed in Lee Child’s newest thriller, or re-readingThe Great Gatsby. Shouldn’t I be plowing through my in-box? Or getting the hang of some new productivity app? Or catching up on my back issues of The Economist?

“Wasting time” reading The Great Gatsby? You poor, depraved, emotionally stunted woman.

That slight feeling of self-indulgence that haunts me when I’m reading fake stories about fake people is –

And that’s where I nearly stopped reading. I would have skipped the rest of the article, from the Harvard Business Review, if not for its title. Back to it:

That slight feeling of self-indulgence that haunts me when I’m reading fake stories about fake people is what made me so grateful to stumble on a piece in Scientific American Mind by cognitive psychologist Keith Oatley extolling the practical benefits to be derived particularly from consuming fiction.

Apparently, “fiction-reading activates neuronal pathways in the brain that measurably help the reader better understand real human emotion — improving his or her overall social skillfulness.”

Shorter version: Reading fiction improves the reader’s empathy. It makes us better human beings.

But don’t worry, Harvard Business School grads — the author of the article assures us that reading great novels “has an effect on the bottom line.” That’s the real reason she thinks it’s semi-permissible.

Me, I think I might spend the rest of the weekend with Jack Reacher. And I will love it.

Where in the world? Now with fan art.

The other day I asked, “Where in the world am I?” And you all got it right off the bat. The photo was taken near the Dish at Stanford University. The Dish is a radiotelescope, and “running the Dish” is local lingo for making you feel like you’re about to die. (Because of the steep hills. Not because of the cosmic rays.)

In the comments on the earlier post, Flakes said:

“Oh wow, that’s Poppy’s (Barney’s) satellite dish beaming out its urgent message! I had no idea chihuahuas were that big in real life.”

Her remark refers to this photo and to her prize-winning answer in Contest 2010:

“Poppy’s satellite dish beamed out its urgent message: ‘Come quick, Butterscotch! Must-have-satellite-dish-(wheeze)-loosened!’”

And I replied that it’s a good thing I don’t have Photoshop because I would be tempted to insert the dog into the photo, supersized.

Well, thanks to Flakes, now I can. Voila. Fan art! Thanks for that.

Next week: More Where in the world photos.