It’s Friday, and time for some fun, and I’m going to shamelessly appropriate Anna Pickard’s topic from the Guardian’s arts blog: What are your favorite spoken narrative titles from TV shows?
And what exactly are spoken narrative titles?
Oh, well, you’ll see. They seem to have been mainly used by producers who didn’t trust their audiences to remember the convoluted set up. And then, later on, the perhaps not-so-convoluted set up. Whatever. LIST!
She chooses, among other narrations, Quantum Leap, The A Team, The Six Million Dollar Man, and The Beverly Hillbillies. Here are some of my favorites:
Star Trek. Of course it’s number one. What else could be? “Space: the final frontier…” Bonus: This choice proves that I am not a grammar pedant, because I thoroughly approve of the split infinitive, “To boldly go where no man” — or, depending on the series, no one — “has gone before.” Glue on the Spock ears, cinch Kirk into his captain’s jersey, and bring on the miniskirts and go-go boots!
The Twilight Zone. Picture this: Rod Serling. You can fill in the rest — the tight, mannered, deeply eerie voice, the tics, the creepy harp music. And picture this: a friend of mine was moving into her dorm room freshman year and turned around to see Rod Serling standing in the doorway. His daughter was to be her roommate. She nearly jumped out the window and ran away. It was Rod Serling. Wouldn’t you have the same reaction?
The Outer Limits. Not the new Showtime version, but the great, original, black-and-white series. “Do not adjust your television set… we control the vertical. We control the horizontal… we take you from the inner mind to… The outer limits.” I used to watch it after school, and this show seriously freaked me out. I miss it.
Quincy. Not a pure voiceover, but Jack Klugman explaining to new police recruits what they were about to see in the autopsy suite. Cue saws, bone spreaders, fainting, vomiting… it was the lighthearted precursor to CSI. Well, as lighthearted as medical examiner shows get.
24. Also not really an explanatory voiceover but a simple statement of what hour we’re in. “The following takes place between four a.m. and five a.m.” Just ten words, but they’re growled at me by the smoky voice of Kiefer Sutherland. By the time he finishes the sentence I am whimpering on the floor.
And: Best opening that told the story and required no voiceover: Ironside. The setup — Cop/shooting/wheelchair/freakin’ sixties in San Francisco!! — is all told with images. Plus it has a sharp, cool Quincy Jones score. The show itself is so Hip, man — can you dig it? that it’s like an anthropological documentary about the times. Either that, or it’s just unbelievably corny.
Yes, I love old TV.