Heat 2: Rave Review in GQ

Al Pacino in Heat, 1995. Everett Collection Courtesy of Warner Brothers

Yes, I’m blogging more this week than I have in a long time, and yes, that’s because I want to shout out every bit of news about Heat 2. Yes, I’m wildly happy to see the novel received so well. And yes, I’m thrilled I can use the word rave to describe this review in GQ.

Heat 2 Brings Michael Mann’s Exacting Vision, Improbably, to the Page

“[Heat 2] gave me a better understanding into how the creator of Heat saw an even bigger world, but also made me appreciate a guy whose work I’ve literally grown up on. That sort of thing doesn’t happen very often.

“There are plenty of other directors who have great vision, who understand the style of a moment and how a certain song can truly capture the mood. But Mann’s whole thing is a trust in his own vision and an absolute belief that little details are a must. The guy seems to operate on a creative level not dissimilar from the one inhabited by some of the great fashion designers, who know that new seasons require new trends, but that good taste is timeless. Being able to turn that into a great story, whether Heat on the big screen or Heat 2 in a book, is a trick few besides Mann can pull off. There’s sex, violence, cool cars, bright lights, and a whole lot of grit. It all works together. When a character is at the Beverly Hilton—where “everything gleams,” including the “Lamborghini and the Bugatti parked outside the entrance, placed like ornaments,”—I kept thinking, Man, I can see that…in a Michael Mann movie. I want to see that in a Michael Mann movie. And if that doesn’t happen, then I’m happy I read it in a Michael Mann novel.”

All I can say is: wow.

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